Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. “Yes,” answered Joan. “One goes in for it more out of vanity, I’m afraid, than for any real purpose that it serves.”!

Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. “There was an old Egyptian chap,” he said, “a governor of one of their provinces, thousands of years before the Pharaohs were ever heard of. They dug up his tomb a little while ago. It bore this inscription: ‘In my time no man went hungry.’ I’d rather have that carved upon my gravestone than the boastings of all the robbers and the butchers of history. Think what it must have meant in that land of drought and famine: only a narrow strip of river bank where a grain of corn would grow; and that only when old Nile was kind. If not, your nearest supplies five hundred miles away across the desert, your only means of transport the slow-moving camel. Your convoy must be guarded against attack, provided with provisions and water for a two months’ journey. Yet he never failed his people. Fat year and lean year: ‘In my time no man went hungry.’ And here, to-day, with our steamships and our railways, with the granaries of the world filled to overflowing, one third of our population lives on the border line of want. In India they die by the roadside. What’s the good of it all: your science and your art and your religion! How can you help men’s souls if their bodies are starving? A hungry man’s a hungry beast.

One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London. “It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.” “Yes,” he answered. “And take her with me. Poor little girl.”